Gallery #1

In my last post I talked about changing things a little on my blog.  As well as posts where I explore a theme or style or technique I want to have posts where I simply share the pieces I've worked on recently, with minimal commentary (by my standards)!  A guided tour through my tangle gallery if you like - and this is the first of those posts.

I'm in an opinionated mood today, so bear with me, and just enjoy the pictures if you don't like what I have to say.

Time to say goodbye -
(Arukas, Mooka and Fescu )
Pigment ink and graphite on a Distress Ink coloured and stenciled tile

I tangled this tile today - the day that the United Kingdom leaves the European Union. This is not something I wanted, not something I voted for. But I understand, with a heavy-heart, that I have to accept the workings of democracy, and the so-called 'will of the people' - even when I think their choice is short-sighted and will leave our country poorer in so many, many ways. I feel sad today, and scared about what lies ahead. I want to reach out to my European tangle friends and tell them I'm not letting go.

I'd rarely choose to work on a such a bright blue tile and with yellow stars too - but sometimes how things look isn't as important as what they represent!

AusTangles Part I
(S-Vine, Veezy, Gottago, Leaflet, Remo, Sevy)
Pigment ink and graphite on a watercoloured postcard - 6x4 inches

Over the past 2 weeks I've joined in with Austangles, hosted on Facebook by Yvette Campbell. She picked a daily tangle by an Australian tangler and invited us to join in however we wanted to. It was great to work with some new and old tangles and I had fun weaving them all together on a pair of postcards - one to represent the warmth and richness of Australia's natural habitat and culture, the other for the cooling waters that surround it.

AusTangles Part II
(Trimonds, Appease, Mak-Rah-Mee, Swimz, Oddballz, Brax)
Pigment ink and graphite on a watercoloured postcard - 6x4 inches

Australia has been suffering in recent months with devastating wildfires causing significant death and destruction. It's hard to know how to help when you're many miles away. I don't personally believe in prayers for rain, but I do believe in what we can do as individuals. I can donate to charities that are helping those affected. I can read to stay informed and educate myself about what's happening and why - which is undeniably related to the worsening state of our climate. I can make sensible and necessary lifestyle choices that might limit my negative impact on our climate. And I can vote for those who properly respect our world and are willing to do what needs to be done.  I can also spend time reflecting on these things as I tangle using along with others all around the world, and hope that a little connection can go a long, long way.

Lastly and with no agenda whatsoever -
these are the next 3 tiles for my Zen-untangled tin (a project to explore the full set of Zentangle official tangles).
On the first - Molygon, Nipa and Bumper
On the second - Verdigogh, Locar and Pepper
On the third - just Ellish

I'm about to dive into this year's ValenTangle - a two week celebration of connection and love, carefully designed and hosted by Marguerite Samama.  I had a wonderful time last year, and came a long way towards conquering my dislike of drawing hearts.  Join us if you'd like to, and I'll be back in a couple of weeks to share my results.

half a dozen days in December

Every year I look forward to the 12 Days of Zentangle activities.  Whether you buy their Project Pack or not (I didn't) it's a great invitation to watch the videos, tangle along and know you're joining many other tanglers around the world who are doing the same.  It's also a great chance to take some time in your day, to tangle and unwind from the inevitable momentum we gain as the year heads toward its festive finale.

This is the 4th year I've joined in and I often take the ideas in a slightly different direction to suit my mood.  For a couple of years I worked in a sketchbook - and last year I tangled along on one of my Zigzangle's instead of the suggested spinner. This year I needed to make the suggestions work with my Winter Inklings colour scheme.  The grey tiles get a big tick of course, but I wasn't planning on using any colour for this month, however the ideas that Zentangle are sharing do rely on a little pop of colour every day, so I made the exception seeing as it's blue and that works as a winter colour! (Interestingly I also had a burst of blue in my February Winter Inklings when I worked on my Valentangle tiles).  The gold pen had to go, too warm for my idea of winter, but thankfully I had a new silver pen to hand!  I have also used different materials where I'm lacking ones that came in the project pack - but that's great, because it shows that you can have just as much fun, and also produce slightly different results, with whatever supplies you have! I've listed what I used in more detail than usual, which is a little clunky to read but perhaps helpful.  All papers used are discussed on my previous blog post.

On Day #1 I drew 'faux' Bijou on a 4x4 inch piece of Strathmore paper.
I tangled with my Sky Blue Copic and used a blue coloured pencil
(Koh-I-Noor Polycolor 54 / Cobalt Blue Dark) instead of the blue chalk
and it worked fine. I varied my Tipple, colouring some blue,
some white and silvering a handful.

On Day #2 I had a great time working with Tomàs Padrós All Stars tangle 
which I'd used back in Spring. This time it sports a wintery look - on a Murano
pastel paper tile.  Initially a complex looking tangle, the more you use it the
easier it becomes.  White highlights from a Derwent Coloursoft pencil and
white Gelly Roll add bright accents.

On Day #3 I ripped up the rule book - I just didn't fancy that idea on a round grey tile -
I don't know why but I didn't!  So I did it on a watercolour postcard instead,
and added blue watercolour (Clean Color Brush 030 Blue) to the Purk parts,
and only blacked in some of the Jonqal lines.  Graphite and colour shading
sharpens up the finished piece.

On Day #4 I traced around a Bijou tile 3 times onto a regular black tile
and then tangled in silver (Uni-Ball Signo).  I'm not that keen on tangling
predominantly with the metallic pen as the line feels so thick compared
to the white gel, let alone the my usual black 0.1.  But I like the way my
watercolour pencil (Faber-Castell Phthalo Blue) adds a touch of colour
onto the black - that's an idea I might play with again.

On Day #5 I didn't fancy tangling the ornament exactly as Martha did,
so I decided to create a band of ZINGsplatz right across my tile
(Clairefontaine PaintOn).  I'd hope to make it more angular and frosty
looking but of course every line made it more and more soft and curvy -
so there it is.  My white was done using a Graphitint white
pencil. In winter zebras dream of blue flowers!

On Day #6 I tweaked Rick's idea a little - I only inked with a black pen,
added blue into the bands of Hollis using an Irojiten pencil (Horizon Blue VP-8),
and added background of grey texture lines which ties it in with
my recent Hollis tile, although this one is far more minimal.
The key to tangling Hollis is to slow down -
and make the most of whatever strange shapes arise.

So that brings me up to date with the current 12 Days videos.  I'll be back with the rest next week.  There's been days of endless wind and rain of late (apt for the uncertain political times my country is facing today), and many times I've struggled to see the line I'm tangling, or the truth of the colours I'm adding to my tile.  But then a little later, I'll tilt the tile and the silver ink will glint as it catches the light - and there is my moment of hope.

falling into autumn

Last week me and mine took a week's holiday at home. Many gentle hours spent reading and snoozing and nibbling and cross-wording and resting and loving. And of course a little tangling too. I knew I wanted the opportunity to tangle, but that I also wanted to largely disconnect from the outside world. I didn't want to be going online looking for tangles - so what perfect timing that the new book by Alice Hendon arrived just in time. 

I began our holiday armed with the book, a handful of pens and pencils, and three postcards I pre-coloured
with Inktense bands that carry my late summer colours through to my autumn palette.

Those of you who know my tangle shopping habits know that I rarely buy much without careful consideration. I own only five tangle books, and this is my sixth.  But as soon as I heard about it I knew this would be on my shopping list. Tangle All Around the World (UK link to buy) is the latest in a series of books by the ever inspiring Alice. This one is a bumper compendium of tangles, tangles and more tangles. Alice put a shout out to tanglers in her Facebook group asking for contributions - and I was lucky enough to have eight of my tangles included in the book! In total the book contains 453 tangles from 50 people, spread fairly liberally through this wide world. There's also plenty of Alice's own tangles in here too - and many of them are mighty fine! You can find more details about the book, as well as sample pages on this post by Alice.

Late summer colours tangled with -
Paddle Pedal (Alice Hendon) - page 93
Plicated (Sandra Strait) - page 45
Echo Two (Sherri  Lee) - page 25

I'm impressed by the book. It feels like a quality product, well-sized and robust. The tangles are packed in with no space going to waste, but the step-outs are clear to see and easy to follow. Alice has divided the tangles into sections grouped by tangle type - and while I initially thought there were chapters I was less likely to visit I was soon proved wrong.  For instance Steampunk tangling has a section - and that's not something I'm partial to, but of course all tangles are ripe for reinterpretation - and something that started as a very mechanical looking disc, turned into a fragile autumn flower (see Oscillator on my final postcard). If I had to find one criticism - and I believe all balanced reviews should try for one (!) - it's that some of the tangles were a little similar to others, either others in the book, or others published elsewhere.

Summer slides into autumn - tangled with -
Flora Flower (Smita Toke) - page 84
Instacon (Alice Hendon) - page 32

For me the biggest plus point of Tangle All Around the World (US link to buy) is the ability to work offline, away from any screens or devices. Mostly I'm able to pull tangles from memory if I want to work unplugged, but sometimes you want to try new tangles without trawling for them through a screen, and this book is perfect for that.  I discovered plenty of tangles I'd never seen before, and worked with some new-to-me tanglers, and I know the book will be a resource I visit again and again.

Autumn's arrival - tangled with
Patchett (Donald Wilka) - page 43
Tierso (Donald Wilka) - page 57
Oscillate (Alice Hendon) - page 171

When tangling my postcards I mostly stuck to using one tangle in each coloured section, but crossed the lines at times to better tie the sections together. I was pleased with the line work, but my shading went a little awry as these postcards had a challenging surface, both bumpy and slippery, and they resisted smooth use of coloured pencil or graphite. Had I not been on holiday I might have tested more thoroughly before I began, or chosen to shade differently, but this was about relaxed no stress tangling. So while the finished postcards may look a little rough and ready, they gave me great pleasure to work on - a little bit added here and there over the course of a lazy week, a week that took us from bright bone-warming sunshine to crisp blanket-craving autumnal nights.

I ended our holiday a bit more rested and ready to resume normal life, 

and with a panorama of global tangling to show for it too!

eight days a week

Last week my world turned black and white - care of the wonderful videos that accompanied Zentangle's latest Project Pack.  You can find more details of Pack 06 and the videos explained in masterful detail by Linda at Tangle Patterns.

The fruits of my labours - all shapes and sizes, but all black and white

I didn't buy the pack, but wanted to join in with the fun - especially when I heard that the theme was No Mistakes - which is one of the central tenets of the Zentangle Method.  Apparently the Pack contains pens and also a special booklet, with black ink blots, drops, splashes, dashes and smears on each page.  In the videos we are guided to tangle back and forth between the black and white sections, switching pens as we go.

I decided to make do with whatever materials I had to hand.  Lengthy discussions took place among fellow tanglers about how best to create our ink blots.  I used a few different techniques - with differing difficulty and success. 

Day 1

Mooka, Tipple and Diva Dance on a small Relaxagon tile

I laid down the black using a Sakura Brush Pen

It took me a while to get the hang of moving between the black and white,
but then they started to blend quite seamlessly.  In fact I think the dividing line
disappears more on this tile than any of my later ones

On this first tile I deviated a bit from what Maria did - I used Tipple and Diva Dance around my Mooka instead of her Crescent Moon, and once I'd done this on one tile I brought little pops of those in on the other days too, just to help tie my set together.

Day 2

Arukas, Tipple, Diva Dance and some black ribbons on a watercolour postcard

On this one I used a black Inktense pencil - applied thickly then wetted to create my black mark -
the white gel pen skipped a little on this surface

I enjoyed the extra space, allowing those Arukas arms to extend and divide themselves - simple shading
on the white areas added dimension - but unfortunately my white chalk pencils wouldn't work over my black

Day 3

A line of pearls, spiralled Flux, Mooka, Tipple and tufts of Diva Dance on a
regular sized tile again with black section made using Inktense

This one was relaxing to do - there's something inherently calming about a spiral,
and running the detail line down one side of each Flux leaf gives a new look

Day 4

Munchin morphing into Paradox, with added Tipple

On this ATC I used my Black Soot Distress ink pad to create
the dark area

My gel pen ran very smoothly on the Distress Ink area
but unfortunely turned a little grey - but hey,
there are no mistakes here!

Day 5

More pearls, Printemps and Melting Mooka, and Diva Dance
and Tipple on an Inktense blackened square tile

This was my favourite day - something about Melting Mooka
really appealed to me - the way it grows and forms those
sections ripe for filling

Day 6

Ing, Tipple and various spiral fills and details

Having watched the video I knew using white chalk would be
necessary, so I made my black section using a piece of
black pastel paper stuck to a white tile.

I made the spirals in graphite on the left using a precision eraser pen!

Day 7

Indyrella, Tipple, Diva Dance on a Bijou tile
coloured with Inktense

I struggle with Indyrella, it takes focus to keep it neat,
hence choosing to do just a little tile on this day!

Day 8

An embedded word on a rectangle of Medioevalis paper - 8 x 11cm

I applied a swipe of black Distress Ink across this tile

Pure pleasure to pick a word - a word I need a great deal right now -
and then watch it disappear, while still remaining

I had a great time following along with the Zentangle videos, absorbing the enthusiasm and skill that the team share in each and every one.  It's been great seeing how others respond to these same projects.  I think this is a technique that I'll revisit again and again - I'm already busy researching the best black and white inks to buy to help me create even better tiles to work on.  I can also see that the technique could be adapted to work with colours too - particularly the deeper ones. 

Keen eyes might also have noticed that I'm trying to make better used of my chop (the initials I use to sign my tiles once finished).  Often I just stick it in somewhere without much thought - but I'm trying to make it sit more mindfully and creatively within my tangling - with success on a few of the tiles, and on one I forgot it altogether!

no work and all play

The other week I sent an email to Annette who is collating tiles for her latest Mosaik Project.  I also made a comment about how I was sorry to have fallen behind with her Zendala Moments series.  She quite rightly replied saying that there was no deadline, and that she would enjoy my pieces whenever they were completed, however long that took!  And of course that is true.  There is no time limit, there is just the invitation to use her string and share where it takes me with others who have done the same. 

I knew this, I know this and yet I still fell into the habit of thinking I'd fallen behind.  We live in a world where we often have to keep up, get ahead, or struggle to catch up if we fall behind.  But we really don't need to carry that ethos over into our tangling.  We must fight the urge to mirror the attitudes of work and chores and obligations, onto the experience of pleasure and play, relaxation, meditation and escape.

Zendala Moments #5 - tangled with Diva Dance, Papermint, Doodah and my own newest tangle, Blaw

In part the reason I took longer on these pieces was because I was doing a lot to them.  I thought it might be fun to see the Zendala strings on a rectangular tile rather than a round tile.  I decided to use a couple of Hahnemühle cold pressed watercolour postcards.  I added a fair bit of colour to them before I started - using watercolour brush pens in shades of teal and purple.  Once dry I added some extra dark teal, using a Distress Ink pad and making subtle marks on the postcard using the rim of a small jam jar, the cap of a pencil protector, and the edge of a ruler.  I tucked the postcards away and only later got them out to tangle - working in black ink mostly, with a few pops of purple ink.  I shaded and highlighted where appropriate.  Then I got a bit daring and went in and added some more splots of purple watercolour, using a small sponge through a dotty stencil.  It felt a little dangerous adding wet colour to a piece I'd already tangled but I felt it added a little extra interest.  I then finished off with some dots of silver gel pen and white paint pen - following lines in the both tangling and background.

I'm often very minimal and safe in my use of colour, but I've been getting more daring and growing in confidence and reading Alice's glorious technicolour blog and her encouragement have surely helped a lot! 

Zendala Moments #6 - tangled with a Cruffle variation, Cubine, Meer and Beadlines

We're halfway through the last month that I define as summer, soon thoughts will shift to all things autumnal.  But for now my colours are changing - the yellows, sky blues and vast array of greens are handing over to sea blues and the purples of blousey blooms and butterfly-bobbed buddleia. 

So today I've shown you my responses to two of Annette's Zendala Moments string invitations - which she shared in May and June - but I finished just yesterday, in August!  These two pieces took a long time, but I think they were well worth the wait.