no work and all play

The other week I sent an email to Annette who is collating tiles for her latest Mosaik Project.  I also made a comment about how I was sorry to have fallen behind with her Zendala Moments series.  She quite rightly replied saying that there was no deadline, and that she would enjoy my pieces whenever they were completed, however long that took!  And of course that is true.  There is no time limit, there is just the invitation to use her string and share where it takes me with others who have done the same. 

I knew this, I know this and yet I still fell into the habit of thinking I'd fallen behind.  We live in a world where we often have to keep up, get ahead, or struggle to catch up if we fall behind.  But we really don't need to carry that ethos over into our tangling.  We must fight the urge to mirror the attitudes of work and chores and obligations, onto the experience of pleasure and play, relaxation, meditation and escape.

Zendala Moments #5 - tangled with Diva Dance, Papermint, Doodah and my own newest tangle, Blaw

In part the reason I took longer on these pieces was because I was doing a lot to them.  I thought it might be fun to see the Zendala strings on a rectangular tile rather than a round tile.  I decided to use a couple of Hahnemühle cold pressed watercolour postcards.  I added a fair bit of colour to them before I started - using watercolour brush pens in shades of teal and purple.  Once dry I added some extra dark teal, using a Distress Ink pad and making subtle marks on the postcard using the rim of a small jam jar, the cap of a pencil protector, and the edge of a ruler.  I tucked the postcards away and only later got them out to tangle - working in black ink mostly, with a few pops of purple ink.  I shaded and highlighted where appropriate.  Then I got a bit daring and went in and added some more splots of purple watercolour, using a small sponge through a dotty stencil.  It felt a little dangerous adding wet colour to a piece I'd already tangled but I felt it added a little extra interest.  I then finished off with some dots of silver gel pen and white paint pen - following lines in the both tangling and background.

I'm often very minimal and safe in my use of colour, but I've been getting more daring and growing in confidence and reading Alice's glorious technicolour blog and her encouragement have surely helped a lot! 

Zendala Moments #6 - tangled with a Cruffle variation, Cubine, Meer and Beadlines

We're halfway through the last month that I define as summer, soon thoughts will shift to all things autumnal.  But for now my colours are changing - the yellows, sky blues and vast array of greens are handing over to sea blues and the purples of blousey blooms and butterfly-bobbed buddleia. 

So today I've shown you my responses to two of Annette's Zendala Moments string invitations - which she shared in May and June - but I finished just yesterday, in August!  These two pieces took a long time, but I think they were well worth the wait.

monochrome rainbows

Shading is one of the aspects I enjoy the most when I work on a tile - but last week I barely shaded at all, and I realised that often, particularly at the height of summer, I tend to forego my pencil and work with ink alone.

I decided to continue to leave my pencil to one side, and this week I worked on some Notan style tiles. In brief Notan is a Japanese artistic technique that uses only black and white to create striking and varied images or patterns. It's a style that lends itself to Zentangle. There are a handful of tangles that Linda at Tangle Patterns groups together under the tag of Notan - including a few Zentangle originals, of which we're all familiar, and probably use quite often in our work.

Whilst Notan tangles look great in black on white tiles, they also delight on more colourful backgrounds. I prepared my backgrounds by blending three shades of Distress Inks (Crushed Olive, Peacock Feathers, Dusty Concord) on a piece of Strathmore Bristol Smooth. I then cut this into two 4x4 and 4 2x2 tiles to fill a page in my binder.

I set to tangling, choosing a handful of my favourite Notan tangles. Filling in large amounts of black ink can feel time-consuming, but I find it quite relaxing. If it seems daunting to you then try working small as I did on these four Bijou size tiles. I used a 01 pen to draw the initial tangle and then filled using an 02.

 

Tangles used -
on the Bijou (top to bottom) - Dyzzee, Knightsbridge, Strircles, Flontrast
on the two large tiles (top) - Chloë & Ozzie (bottom) - Blaw

It's worth taking a little care as you move from section to section. It's easy to think that it such an easy tangle that it doesn't need much focus - sometimes a wicked sprite seems to whisper in your ear telling you to jump ahead and fill in a section, and suddenly you've messed up. Or you slip and your pen crosses from an area of black into white. No disaster, just a chance to add a little flourish or change of direction. There is no need for these tangles to be considered stark or boring, in my examples I've added little tweaks - frames, or perfs, lines or bulges.

While I played with other Notan tangles I started to devise one of my own - loosely based on the structure of Bales. It's my pleasure to introduce you to Blaw - named after a contraction of the phrase 'black and white'.

Just a few steps to build the basic frame, and then fill as you desire.

It's easy to underestimate Notan style tangles, to think they can be nothing more than their bold black and white selves. But there's subtlety to them if you choose to look for it - as can be seen here.

Detail lines, rounding, and auras, or a a combination of these -
all add interest and variety to a Notan tangle

And that's without the power of shading which of course could be included too! Margaret Bremner takes the Notan concept even further and twists it in all sorts of interesting directions.

I look forward to seeing what you do with Blaw - please let me know if you use it, and if you like it.

As always, if this tangle appears to be too similar to any others in name or style, please let me know.