for your eyes only

Maria Thomas recently wrote a blog post asking for advice for new tanglers.  I responded by suggesting people shouldn't be over-eager to share the all the results of their tangling.  Don't get me wrong, I love seeing people's art, and I love sharing my own.  But I think some balance has value too.  I think we can tend to feel that everything we produce is for the public eye, and that can make us overly self-critical.  If instead a tile is sometimes only for us it can be something more precious, more personal.  And perhaps we'll share it later, but when we've come to know it better.  Which might eliminate some of those 'this is a bit rubbish' disclaimers that people post beneath their work!  I feel that I was lucky to initially learn Zentangle  from a book, with only my pens and tiles and paper and no-one to show it to.  I still like to do that now - tangle tiles, play with ideas and not share them at all, or at least not straight away.  For every benefit of an online community - whether that is blog-based, Facebook groups, Instagram - there are drawbacks too.  It's not about not doing it, but bearing in mind the influence it has on your practice of the art.

That said, here are some of the pieces that I've worked on over the past few weeks.

This started as a practice piece - playing with how white gel and pencil only would look on a tan tile.  I drew a little section of Krokus in a frame.  And I loved how it looked - to the degree that I forced myself to leave the tile at that, nothing more.

I recently got lucky and stumbled across some bargain priced original Zentangle tiles, which encouraged me to get reckless with the scissors and do one of those cut ups that were all the rage at the end of last year.  I'm heavily into Diva Dance Rock 'n' Roll at the moment and stumbled on the idea of only filling in certain parts with black - I really like the result.  Some curls of white Diva Dance on the black side and metallic purple Therefore to pull it all together!

In a developing theme I finished a tile for Adele's It's a String Thing #256 challenge - but not in time!  But here it is!  A simple band of the lovely Mazorito - with single Horti sprouting from it here and there.  All done on a grey pastel paper tile, with shading and white highlights galore!

And lastly, it's that time again where the Queen of Tangled Mosaics Annette asks for contributions for her forthcoming Project.  This time she gave us a string based on the Zentangle ribbons done in Project Pack #3.  And she asked us to tangle and shade some of them in red!  Which was quite daunting as I find it quite an unfriendly colour and usually only use my red pen for step-outs.  But once I'd found a pencil that matched I was pleasantly surprised with the results.  These are the two tiles I'm sending her and I can't wait to see what they look like mixed in with all the others - she'll share the results on 5th September.

Back in May I shared this tile that I was sending to Annette for Project #13 and once the Project was done she sent me a mini Mosaic she'd made with my tile alone.  Every time I'm wowed when I see how a single tile can be flipped and rotated and grow into something so wonderful.  And of course the full glory is when all of our individual tiles come together - in many different layouts - see the full story of Project #13 here.

 

mad dog days

It's been weeks since my last tangled confession.  Our overheated summer has continued. Every so often we get a day or two when the temperature dips, and hopes rise, only for the mercury to start creeping up again.  Our garden is parched - lawn browned to straw, the soil solid and cracked.  Curls of bark and more than the usual number of leaves tumble from our eucalyptus.

The bark was rough beneath my pen, the leaf almost waterproofed.  Mooka and Printemps will travel with these remnants as they go with the green waste for recycling.

I feel heavy and sluggish and dried out.  Even my ideas are starting to wither.  I've not tangled much.  I've finished some swap tiles sent to me by others, somehow that's felt easier, as if they've already broken the barrier of the blank page.  And the handful of tiles I've drawn on my own have taken a long time to emerge. I've added little bits over the course of weeks - not my usual way of working - but at least something to mark the period, to share with you.

Bursts of red against the blue - Ying, Hollibaugh and Printemps

It's a String Thing #252, which I didn't finish on time -
just the warm and wonderful Deeday.

I tried something new... inspired by a conversation with Michele Wynne about her hesitation to working on pre-strung Zendala tiles.  I wondered what would happen if I partially ignored the pre-strung lines, or used them in a non-symmetrical way.  I think the result is less pleasing than I had hoped, but it was interesting to do - something rather liberating about the feeling of breaking the 'rules'.  I'm sure I'll try it again sometime.

I tissue-dyed the tile before tangling with hexagonal Aquafleur, Elirob, Scrawls, Fassett and Printemps

Since starting to write this post we've had a welcome break in the weather.  Last Friday afternoon - a little thunder, a flash of lightning and then a most gentle rain.  We stood outside and let it fall on us, greeted like we've never seen it before.  On Sunday it poured all day, and in the early hours of Tuesday morning I woke to hear yet more rain overflowing from our neighbours gutters.  The lawn is starting its return to green. But this is respite, not cure - the forecast says the heat will return by the end of this week. 

in the shadow of the sun

It's getting hot here in the UK, and while blue skies and sunshine hold a certain appeal I find myself growing sluggish.  I have limited focus and energy, but at the same time I find many ideas flitting through my mind.  I have inklings - to start some kind of larger project, maybe just for myself, maybe including others - maybe both.  The idea keeps shifting and evolving.  Who knows if it will see the light of day, but if it does it won't be today.  For today I'll share a few recent tiles I've completed in those rare moments where inspiration and execution met.    

I drew this black tile a couple of weeks ago.  I'm determined to keep working on black tiles, as I love the look, but need to fully embrace the differences from tangling on white.  I used to think black tile work was quicker than white.  But now I know that's not the case.  I need to work just as slowly, and carefully consider the tile at each stage, turning and working out where more is needed, so as to build up something pleasing.  On this one I used Mooka in a Paradox kind of way and then filled it with Printemps.

This next tile was my contribution to Adele Bruno's recent challenge (#248), where she invited us to work with the lovely Drupe.  I started with every intention of sending it to her, but it took me too long.  Here she shares the tiles she did receive - and what a wonderful bunch they are!  I tangled on a tile I'd made a long time ago when I first got my Distress Inks - complete with a strange stain!  I tangled in dark red and popped an extra bump into each Drupe section - which made the shading extra fun.  My tangling completely ignored the string, but I popped it back in afterwards!  The finish tiles reminds me of laying under parasols on sunny days, or perhaps the big top tent at the circus.

 

 

I recently bought myself a whole box of 3Z tiles to play with and I started this week by grabbing one and tangling this.  I had no plan and just used whatever tangles came to mind and fit the space - Mooka, Nik, Arukas and Hollibaugh all appear in small amounts.  I love the way these tiles encourage a 3 sided symmetry, and I'm excited to see where playing with them will take me.

And lastly this tile, which I tangled yesterday.  I grabbed a tile from my stash that I had coloured with Brusho powder - I'm experimenting to find ways to tame these powders so that they show what they're made of without being so overpowering that the tangling has to fight to compete.  It was an increasingly hot day and my tangling seems to reflect that - 2 bands of Sling-Slang, and a middle section using the Lisbon fragment - which was all the rage last summer and is demonstrated to admirable effect by Margaret Bremner.  It was slow work, but absolutely what I needed.

curiouser and curiouser

It's been 3 months since I shared the innermost secrets of my sketchbook with you.  So here we go again.  My practice pages have become even darker and more dense as the year has moved on - with tangles tucking in, around and under each other.  I wonder if this says more about my mind or my creative style - and where is the dividing line between one and the other?

Points of interest - some inky aured Pokeleaf which appeared in a challenge tile.
Rediscovering Romancy, Loop Lopp and Coil.
A giant Paradox, and a tiny Wholly-Hollibaugh-Flux thing.
Playing with new blue pens for Marguerite Samana's Delft technique.

Points of interest - practicing Tomas Padros' Pickpocket.
  Discovering Krokus, Pernula and the wonderful Nik and Kaboom!
  Creating a juicy Mooka border that I really love!

Points of interest - playing with Adele Bruno's new tangle, Mack.
  Re/discovering Odee, Reno and Elirob.
  Tucking curvy tangles against straight - Flux and Ing.
  Playing with Mooka inside some circles.

Points of interest - playing with Diva Dance Rock 'n' Roll roses.
  Hearts and Diamonds and the first appearance of Miff!
  A Nik / Arukas fusion that I really like!
  'Down the Rabbit Hole' - dense and time consuming but such fun!

I've made a few notes on each image, pointing out things that I particularly like - but you might spot others that take your fancy.  Feel free to ask if there is anything you'd like named or explained!

a little something

It's often the finishing touches that really bring a tangled piece to life.  Those little additions joining disconnected sections, or adding a light border, or breaking out from a tight clump of tangling to loosen it a bit.  Favourites that I used often are Beadlines, Barberpole and the lovely Tearce - which bears the strongest relation to the latest tangle I've developed!

Idly browsing Twitter recently I spotted someone with a little tile on their desk featuring Miffy the rabbit - a Dick Bruna character that has charmed children and adults alike for over 60 years! On this ceramic tile she is peeking out from behind a Delft style plate, with a charming border I couldn't resist working into a tangle.

An image of the tile
that inspired the tangle

She needed to get credit in the name - but sticking with my self-formed habit of 4-letter tangle named I'd like to introduce you all to Miff -

The simplest of step-outs

I hope you like it - it's super simple to draw, very forgiving of wobbles and mistakes, with plenty of scope for variation.  Here it is on four Bijou tiles to give you a taste of how it works.

Miff - 4 ways

Changing the style of the line you draw in Step 2 can really alter the look.  In addition, not pictured, you can draw it larger, with deeper cups for greater drama.  You could also have them overlapping, or back to back as a filler pattern. 

As always, if this tangle is too similar to any others in name or style, please let me know.  And obviously, have fun with it and let me know how you get on!

coming around again

I've carried the idea for my Diva Challenge tile all week.  I knew I wanted to take a simple tangle and aura it in different ways.  Which is what I did with Flux on this unstrung Zendala tile.  I knew I wanted to colour the sections between.  And all that went much as hoped -  but then it came to the shading, the part I often enjoy the most - and then I got stuck.  I find shading auras tricky.  And shading Flux can either be very time-consuming (if you shade each leaf) or a bit basic if you just run a line down the middle.  I went with the latter approach, but wonder if it's lacking something?

But sometimes the most important thing Zentangle gives me is learning to live with imperfections.  Inadequacies.  Of time, ability, energy.  It reminds me that even with short supply of any or all of those you can still make something and hold it in your hand at the end of a week and say 'I made this'!

Flux - aura - repeat! 

I haven't always had time, ability or energy to draw a tile for Adele's weekly It's a String Thing Challenge recently - but I've managed to catch up on those I've missed on the limited space of a Bijou tile.  I've played with different colours and shading techniques - some I like more than others.

Top row - IAST #232, #233 and #236 
Bottom Row - IAST #240, #241 and 242

Do you find your art seems to come in ebbs and flows? I have patches where I'm really feeling it, in tune with the materials, brimming with ideas and loving the results.  And then I hit a patch where nothing seems to come good.  And looking back you think that the work you were doing months or years ago looks better than what you're producing now?  But then another day you can see the progress you are making, the skill and confidence that is steadily growing.  Do you feel that and think it's just you - it's not - it's me too!

the sum of our parts

I haven't had that much time to tangle of late.  But I couldn't miss the oppurtunity to join in with the latest Mosaik Project run by Annette P.  I'd urge you to take part - copying the string is easy to do and the results are so much fun.  Even if you don't want to join in, please do take a look at the results of the previous Projects.

Each time Annette devises a string, asks us to copy it faithfully and fill it with tangles in black and white or suggested colour schemes.  Once she gathers copies of our tiles she works her magic, turning and flipping them into all manner of amazing permutations.  Not only that but she generously sends a mini-mosaic made with just your own tile.

These are the tiles I sent to her for the previous 3 projects -

For Project #11, an Escher-themed lizard, I sent two tiles as requested, one positive and one negative

And these are some of the mini-mosaics she sent back to me.

 

 

And that's just what she did with my tile.  Imagine the results with many talented tanglers tied together!  This time the string is simple and basic black and white tangling was asked for.  This is my contribution -

Tangles used - Krokus, Fassett, Moonpie

The deadline closes on the 15th May and Annette suggests she will share the results on the 23rd!  I can't wait to see what happens this time!