Whilst
waiting for the Glaze ink to dry on this piece I picked up my first
ever Zendala.
I
had printed it off as a test more than anything - I'd been playing
about to see what papers our old printer might be willing and able to
accept and was thrilled when it decided it could cope with a thinnish
water-colour paper (200gsm). I didn't want to print off a test sheet
just to throw away - I'm far too frugal with paper for that - so
grabbed a Zendala from The Bright Owl (Zendala Dare #92).
I'd
noticed Zendalas early in my Zentangle adventures, and see that we do
get to them later in One Zentangle a Day - but ever impatient I
couldn't wait to give it a go. I hadn't really seen any
'instructions' as to how I should do it - and knowing how wonderfully
forgiving this whole Zentangle world is, I just dived in.
I
found myself sub-diving some sections into smaller areas. And having
since looked through others results I see that is accepted practice!
Making a Zendala feels quite different from making a Zentangle tile,
in that symmetry and repetition seem suited to the Zendala look,
whereas the square tiles encourages us to go anywhere. It's not a
better or worse approach, it's just different, and I enjoyed it very
much. I found myself coming and going from it - adding a bit, then a
bit more. The end result is clearly a first attempt but I know I'll
be back for more.
The
Sampsons I used on my other tile crept up again here, as did the
'nzeppel. Together they seem to create the impression of a derelict
church, with the wilderness breaking through the windows to reclaim
the space. Perhaps the building is round and the wooden parquet
flooring (Paradox) is all that is still intact - but not for long!
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