In addition to my niggle of yesterday, saying that the pencil line still showed on my finished tile, I’m not that keen on the result that my thicker pen has on the design. My images look a lot less delicate than many Zentangles done with the recommended 0.25mm nib. But I’m still learning to love them for what they are! I’m also not keen on how they look on a screen, as opposed to in hand. The scanner gives them a slightly pinkish hue (but if I turn them black and white they are too harsh) and every little defect shows up if you zoom in – so don’t!
Never satisfied – this is the tile I made today –
Today’s tangles : Shattuck – looks like a woven basket, or a sea urchin. Nipa – which looks like a mouse has chewed through wood instead of cheese. Jonqual – a more slanted take on Knights Bridge with great shading possibility.
I like the tangles that have more possibility – that can be done tighter or looser. I want to keep making them if only to get to know them better. They encourage me to spread beyond the spaced allocated to them by my string. I like all the terms – the specific names the tangles have. It makes me think of Buddhists and yoga mats and bells. If you start using a set of unfamiliar terms you start to feel part of something bigger.
I find I have drawn an enchanted boot. Cursed so that whenever the wearer stops walking, whatever they are standing on (and every surface has a least a percentage of living matter) will grow up and into and over them. Die walking or die still.