Releases of official tangles are rare but always welcome –
much like sunny days in a British winter!
This morning dawned crisp with frost and with Aquafleur twisting gently in my inbox.
After a bit of practice in my sketchbook I decided to give
it a go on a tile. And while I was at it
trial a new paper. Ever since I start
this Zentangle thing I’ve been trying to get combinations of pen, pencil and
paper that work best together. Obviously
that job has in part been done for us by the official team – their suggested
pens and tiles produce superb results and are a pleasure to use. But personally I’d like to be able to source
papers closer to home – avoiding worldwide shipping of heavy materials if possible. And I think I’m getting
there!
I managed to buy a selection pack of watercolour papers and
spent an age matching these for weight, surface finish, and colour against a
sample of an official tile that I was lucky to get my hands on (thank you
Adele!). I’ve got a few back-ups from
the selection to try – which might produce different and interesting results –
but today I used a tile torn from a sheet of Saunders Waterford (hot pressed,
300gsm). It’s a slightly darker shade
than the official tile but behaves well.
Aquafleur behaves
well too. The first few attempts had me
struggling a bit with the last bit where it tucks in on itself, but I think
half of the reward of tangling is having to work at it a bit. It reminds me of a grown up Pepper.
And as with many tangles has a taste of the sea about it. It’s like a slightly sinister seaweed
wrapping itself around one of the chalky flat stones we find on our local
beaches. I kept it simply this time but
can see it has plenty of potential for play.
I also used Twenty-one
on my tile – which was a recent addition to Tanglepatterns. It looks a lot like the arum lily we have
growing outside the front door. Or we
would if it wasn’t the middle of winter!
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